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She is the author of a new book, Getting the Pretty Back, her guide to style, friendship, romance, and motherhood. 19, Ringwald will join her Breakfast Club co-stars Anthony Michael Hall, Judd Nelson, and Ally Sheedy in New York for a Film Society of Lincoln Center screening and retrospective of Hughes, to be moderated by writer-director Kevin Smith. The script needed some re-writes and John didn't want to meet and re-write. In the Times story you wrote about Hughes, you mentioned turning one of his pictures down. You and Matthew Broderick, Anthony Michael Hall, and Ally Sheedy paid your respects. Before I made movies with John, whenever people thought of teen movies, they thought of Animal House and Porky's. The thinking was: if we're going to make a teen movie, then it should be like Porky's because it was a hit. Do you think you really knew what it was like to be a teenager? One of your best films that seems as though it's been forgotten is the romantic comedy The Pick-Up Artist, co-starring Robert Downey, Jr., and set in Atlantic City. Warren believes that every time a character does something, it should be organic. Comedy can be cruel, and while political correctness is important in many instances, it would pretty much be the death of comedy if it were taken to the extreme. I loved Diane Keaton in all her Woody Allen movies.
On a summer afternoon at a café in Santa Monica, I started with the one question that I had to get out of the way: why Molly Ringwald didn't marry the man I thought she should have. I ran out of time and had to go shoot another picture. John would have been very surprised that he was being saluted at the Oscars. Instead, there was a horror film montage that went on twice as long. I idolized her, and she was exactly what I wanted to be when I grew up. He gets just about everything that one needs to get from that picture from the words alone.
He had complete confidence in me as an actor, which was an extraordinary and heady sensation for anyone, let alone a 16-year-old girl."Today, at age 42, Ringwald is married and has three children. And he's one of the funniest people I think I've ever met. I declined because I felt like the script wasn't strong enough and was too derivative of the other films I'd already made with John. The coverage after his passing was certainly more than he would have expected. He was always more likely to think that somebody was slighting him. At first, Universal Studios wanted him to go a different direction. By the time we actually shot The Breakfast Club in 1984, he had re-written the script numerous times because the studio demanded it. " I told him, "Well, a lot has changed." So the next day, at rehearsal, John brought in a stack of scripts, all his different versions of The Breakfast Club. I was insecure in lots of ways, over-confident in others. Well, when John passed away, I was asked by Time magazine and The New York Times to write something about him. When you looked at the cover of Time with your face on it, whom did you see looking back at you? I wasn't married, I was in my twenties, and I thought: if I'm ever going to live in another country, now's the time to do it. Did you come back from France with a different view of Hollywood? Hollywood was never as important to me as it once had been. Reportedly, you turned down the role of Vivien, the prostitute whom Richard Gere falls for in the movie Pretty Woman. You seem to have too much moral authority to have played Vivien. Warren is the one who pretty much directed me What did you learn from Warren Beatty? We all sat down and wrote a version of an extra scene, and mine was selected. We've talked about it, but Warren only makes a project about every twenty years or so. But she was pretty amazing about the development of my mind. Irene was Jodie Foster's teacher before she was mine. Everyone should speak about political issues—as long as they're well informed. He was an outrageous, comedic character—regardless of ethnicity.
She also plays a mom on the Monday night ABC Family drama, The Secret Life of the American Teenager. But I'm very happy with my husband—and I think Matthew is quite happy with his wife. We were supposed to be in a John Hughes picture called Oil and Vinegar. He wanted me to play the role of a character called Watts, which went to Mary Stuart Masterson, but I was ready to graduate from high school. There was a tribute to Hughes at the Academy Awards ceremony earlier this year. There was a nude teacher swimming, scenes that were there just to insert nudity, to make the movie a little more like Porky's. He called me a week before we were supposed to start. He had us go through them, piecing together a script that was like the one I originally agreed to do. What would John Hughes think of your series, The Secret Life of the American Teenager? Once he stopped doing the movies that we did together, we didn't stay in contact. All my representatives kept advising me to write the story for Time. All I could think was that my hair looked overly processed. Well, I don't think there's anyone who could have played that role better than she did. Gordon Willis, a very famous cameraman, was shooting it. Warren would take Robert Downey and me into a room and make us break down the entire script. He would even delete stage direction because that was how Stella Adler, his acting coach, trained him. After I lose all the money and Robert and I are walking in the casino garage, I'm eating Maalox. Of all your film directors, who is the one who understood you the most? Which director got the best performance out of you? Warren Beatty had an impact on me, too, especially in terms of his interest in politics. John Hughes likened him to a modern-day Eddie Haskell from the series Leave It to Beaver.
"No, seriously." Then, when the host asked Hall if he'd kiss, marry, or kill Carpenter's character Deb, she interrupted with, "You understand why this is loaded, don't you?
If you're part of the MTV Generation and you went to movies in the 1980s, she's practically a touchstone. I consider myself a spiritual person, but I don't believe in organized religion at all. Julianne Moore is a redhead who's doing really well. You write that you're a redhead in color and personality. We're a little more offbeat—and we're harder to anesthetize. Well, I have a really great family, and they're protective. But I'm a private person and I just don't understand the appeal of making mistakes on a grand scale. People turn to addictions to relieve whatever pain is intolerable to them in their lives, and show business certainly isn't the easiest and most sane career to choose. If I ever write a straight autobiography, it won't be for many years.
Hall was interviewed by detectives at New York's Midtown North precinct house on Nov.
He allegedly returned drunk the next day to bang on her door, the police said.
Officers removed him from the scene, according to the Radar report.
Hall pour le personnage de David, le fils homosexuel de la famille Fisher.
C'est ainsi que l'acteur décroche son premier rôle régulier à la télévision, qu'il tient pendant cinq saisons.
By the summer of 1986, she was memorialized on the cover of Time as America's princess and "the exemplary California teen."After Hughes suddenly passed away a year ago this month at age 58, Ringwald wrote about him on the New York Times op-ed page (and isn't it just like Molly Ringwald to grow up and write a Times op-ed? You've written a book full of advice, especially for young women. I don't think I've ever been good at following other people's advice or counsel. For a long time, I was very career-driven and famous here. A script came across my desk, and I can't recall if it was even a firm offer or not. Pretty Woman is what it is because of Julia Roberts. Warren enjoys taking a differing and surprising point of view on occasion. There's a certain moral confidence that you bring to your roles. I think I have a very strong moral compass, and it may have come from religion. One of the news stories at the time quoted some in the Asian community as being "horrified, shocked, and offended." What do you make of that criticism now?